Last month, Godox introduced the C30Bi and C30R LED Lights, but at NAB, we got a first look at a new kit that Joel described as quite unique because of the variety of power supply options available. Notably, while the system is built around the RS60Bi and RS60R, it’s also available in configurations using the MS60Bi and MS60R. The key difference? The MS versions include built-in CRMX for wireless DMX control, making them a better fit for users who need more advanced lighting integration.

Multiple power supply options / Extensive accessory ecosystem

The two standout features of this system, according to Joel, are its versatile power options and the range of its optical accessory ecosystem. Both are designed to make the light kits as adaptable and creative as possible.

Godox optical ecosystem

The ecosystem includes a front-mounted Fresnel lens, a lens reflector for boosting output, and a magnetic modifier kit for quick diffusion and shaping. There are also beam boosters like the DL5 Lite and BeamLight S20 for creating narrow, high-intensity spots, a collapsible silicone diffusion dome, and even mini projection attachments (SP36 and SP50K) with swappable lenses. Altogether, it’s a modular system that gives you a lot of control for such a compact light.

Powering the lights

Joel highlighted the system’s versatile power options as his favorite feature. The lights can run on a USB-C rechargeable battery (giving you just under two hours at full output, depending on conditions), an NP-F battery via the 14V DC input, a standard light socket using the included E27 adapter, or V-mount batteries with the optional MS60NPA adapter. They also support AC power through the MS60PA01 adapter, which works with high-efficiency GaN USB-C PD chargers.

Build it your way

Julian told us that there are three kit options to choose from, depending on how much you want to start with. The single-light setup includes a battery, charger, and basic mount. The two-light and four-light kits come fully loaded – with not just the lights but everything from the “optical ecosystem” as well. That includes modifiers, beam boosters, domes, and more. Joel also mentioned that if you prefer to start with just one light, you’ll be able to purchase accessories separately as needed.

Price and availability

All lights and kits are available now. The RS60Bi (bi-color) and RS60R (RGB) models are primarily offered as single units or in two-light kits. The RS60Bi (bi-color) retails for $199, while the RS60R (RGB) is priced at $259. The two-light kit is priced at $589 (RS60Bi) and $699 (RS60R) and includes all accessories.

The MS60Bi and MS60R models are offered as single, two-light, and four-light kits. The MS60Bi is priced at $329 for the single, $1099 for the 2-light kit and $1999 for the 4-light kit (both kits include all accessories). The MS60R is priced at $429 for the single light, $1299 for the 2-light kit, and $2499 for the 4-light kit (both kits include all accessories).

For more information, please see the Godox website here.

Does the idea of a full optical ecosystem in a 60W package appeal to you? How much do you rely on modifiers for product work? Let us know in the comments!

STORM XT52 is a pocket light from Aputure, similar in size to their tiny MC Pro. No, just kidding. In fact, STORM XT52 is one of the biggest lights the company offers and, at the same time, the brightest LED point source fixture made for filmmaking to date. The full demonstration is in the video, and technical details follow below.

Aputure STORM XT52 and its biggest USP

Yes, as Ted confirms, Aputure STORM XT52 features 5,200W of LED power. In terms of brightness, its output is comparable to a traditional 9,000W HMI, like an ARRI M90. At the same time, Aputure’s new baby claims to be 30% lighter and smaller (61 lbs or 28 kg versus approx. 86 lbs or 39 kg for a 9K HMI). It still isn’t feather-light, but it means one person can hold and operate it if needed.

With STORM XT52, Aputure clearly targets the rental market. So, it’s probably not something that independent filmmakers are going to buy and keep in their own storage but rather rent from the rental houses.

BLAIR light engine

Just like its smaller brother, STORM 1200x, presented at the NAB show last year, the new fixture has the company’s flagship BLAIR light engine. Simply put, instead of using just the white light LEDs, this chipset combines and mixes five LED colors (blue, lime, amber, indigo, and red – hence the abbreviation) to deliver a better-quality white light and scientifically recreate the curve of the spectrum of different CCTs (2500-10,000K CCT range).

People still often choose hot lights for their productions because they see these 5% of the color difference between LED and tungsten. LEDs have gotten better in terms of color quality over time. With BLAIR, it’s done. We solved it.

Ted Sim explains in the interview

Not only white

At the same time, the BLAIR light engine in STORM XT52 is able to output colors across more than 70% of the Rec.2020 color gamut. Of course, they won’t be extremely saturated, as Ted explains, but the performance of the color is comparable to the company’s STORM 1000c or 80c and covers most application cases. Following users’ demands, Aputure’s developers also added the HSIC+ mode to this fixture.

Other features of Aputure STORM XT52

The STORM XT52 can be used at full brightness while powered by a standard 6,500W generator. The fixture comes with a 7,5m head cable in the box, but the company also made an extendable head cable, which runs 45 meters in length. This means that regardless of the set-up, you can leave the control box on the ground to save on weight.

As for accessories, the standard kit for Aputure STORM XT52 includes the 35° reflector. At NAB 2025, Ted also mentioned two additional modifiers: The CF16 Fresnel (that will be available both as a manual or motorized zoom) and the Parallel Beam adapter. The latter is a hyper-narrow 5° reflector system, which allows you to project light and create spotlight effects (say, in case you want to imitate the classic Batman signal).

Pricing and availability

The Aputure STORM XT52 is currently priced at $13,100.00, with some local dealers offering early bird pricing options. (Contact them if you want to get your new fixture at a reduced price.) The STORM XT52 should start to ship at the end of April 2025, and the mentioned modifiers should be within the next two months.

For more information, please visit the product page on Aputure’s website here.

What do you think about Aputure STORM XT52? A mighty beast, huh? And what about the BLAIR light engine? Have you already had the chance to use it to its fullest? Please share your thoughts with us in the comments below!

The PavoTube II 6XR incorporates RGBWW color mixing technology with a color temperature range from 2700K to 12000K and ±150 green/magenta adjustment. According to NANLITE, the fixture delivers an output of 562 lux at 0.5m (5600K) and features high color accuracy with CRI/TLCI average readings of 96/97 and TM-30 Rf/Rg average values of 93/100.

Weighing 270g (9.5oz), the light features a polygonal back design for stable placement on flat surfaces and includes built-in magnets at both ends for direct attachment to magnetic surfaces. The fixture is also compatible with existing PavoTube II 6C accessories.

Pixel control and five lighting modes

Each light features eight controllable pixels within its 22.5cm (8.9in) illuminated area. The light offers five lighting modes:

• CCT (Correlated Color Temperature)
• HSI (Hue, Saturation, Intensity)
• Gel (color filter simulation)
• Lighting effects (15 built-in special effects)
• Pixel effects (10 built-in pixel effects)

The fixture can be controlled through multiple methods: on-board controls, the NANLINK App 2.0, DMX/RDM, or LumenRadio CRMX. The latter options allow independent programming of each pixel, which could be particularly useful for professional lighting setups requiring customized effects.

Power options of the PavoTube II 6XR

The PavoTube II 6XR comes with a built-in 3200mAh rechargeable battery. Additionally, the fixture includes a USB-C port supporting PD 3.0 protocol (requiring minimum 20W PD3.0 adapter), compatibility with optional F550 battery grip for powering from NP-F550 type batteries, and support for various input voltages: 5V/2A, 5V/3A, 9V/2A, 9V/3A, 12V/2A, 12V/3A, 20V/1A.

8-light kit option

NANLITE has also introduced an 8-light kit specifically for the PavoTube II 6XR. The kit includes eight light fixtures, light modifiers and mounting accessories, a custom Gutek T-230 charging case with an IP67 rating, three power supply options (AC power, V-mount battery, and PD adapter), and simultaneous charging capability for all eight fixtures via electronic contacts.

Expanding the PavoTube II XR series

With the introduction of the 6XR, the PavoTube II XR series now includes four different size options. According to NANLITE, the longer tubes are designed for simulating elongated light sources and providing broad coverage, while shorter tubes like the 6XR are intended for tight spaces and detailed lighting applications.

In case you missed the reviews, we previously tested the original PavoTube II and the PavoTube II 6C.

Availability and pricing

The PavoTube II 6XR is now shipping for $149, while the 8-light kit costs $1490 (both excluding local tax). The light and kit will be on display at the NAB Show in Las Vegas at booth N2859.

For filmmakers looking for compact, versatile lighting tools with pixel effects capabilities, the new addition to the PavoTube series appears to offer a balance of portability, control options, and creative flexibility. The addition of professional features like CRMX compatibility in a fixture this size could make it an interesting option for productions of various scales.

What do you think about this new tube light from NANLITE? Let us know in the comments below!

amaran, which spun off from Aputure last year to focus more directly on independent creators, first introduced the Ace 25x and 25c – compact LED lights aimed at the content creator market. They’re continuing in that direction with the Pano 60c and 120c, two full-color panel lights that they describe as “the most compact and portable in their class.”

amaran 60c – key features

The Pano 60c is a compact 60W RGB panel with a 2300–10,000K CCT color range, roughly the size of a tablet – 25.4 x 15.5 cm (10 x 6.1 in) – and weighing 610 g (1.3 lbs). It delivers an output of up to 22,220 lux at a distance of 0.5 meters and 6,290 lux at 1 meter (3.3 feet), both measured at a color temperature of 6500K, making it one of the brightest options in its category, according to the company. Power is supplied via USB-C PD for compatibility with a range of power banks and chargers, and the kit also includes a 65W USB-C PD locking power adapter. The light uses amaran’s Ace E-Lock system, which enables a cable-free, quick-lock connection to the upcoming Peak power bank, expected in Q3 2025. The unit includes active cooling rated under 28 dB, along with a Silent Mode and a Smart Mode that automatically adjusts fan speed.

Designed to be handheld, the wireless control options include on-board, Bluetooth, or the Amaran app. In Quick Operation Mode, users can manually adjust brightness and color temperature or activate preset settings via a Custom Shortcut. In addition, there are 12 lighting effects available, including fireworks, faulty bulb, lightning, TV, pulsing, strobe, explosion, fire, paparazzi, welding, cop car, and party lights.

amaran 120c – key features

The Pano 120c is a 120W full-color panel light featuring 2300–10,000K CCT tuning, roughly the size of a 15-inch laptop – 35.6 x 25.4 cm (14 x 10 in) – and weighing 1.6 kg (3.5 lbs). Designed for situations that require higher output, it produces a maximum output of up to 13,490 lux at 1 m / 3.3 ft (6500K). Like the smaller 60c model, it features active cooling rated under 28 dB, with both a Silent Mode and a Smart Mode that adjusts fan speed automatically. This kit includes a 150W DC power adapter, and the light can also be powered via USB-C PD for use with power banks and PD chargers. It features amaran’s Ace E-Lock mount for a secure, cable-free connection to the upcoming Peak power bank, which is expected in Q3 2025.

There are wireless control options, which include on-board, Bluetooth, or the amaran app. Quick Operation Mode allows direct control over brightness and color temperature, and users can also set Custom Shortcuts for faster access to preferred settings. This model also includes the same 12 special lighting effects found in the Pano 60c.

amaran Pano 60c or 120c – which one to choose

The Pano 60c and 120c share the same core features: broad CCT range, customizable controls, low-noise active cooling, and 12 lighting effects, but they differ in size, output, and power requirements. The 60c is more compact and is geared towards handheld or portable setups, while the 120c is more for times when a higher light output is needed. Both models support USB-C PD power and will be compatible with the amaran Peak power bank expected in late 2025, offering flexibility for on-the-go shoots.

Price and availability

The amaran Pano 60c and 120c light kits are available now. The 60c is available with one or two lights in either white or charcoal, and the 120c is available in white only. The 60c kit includes a Softbox, Light Control Grid, Diffuser, Ace E-Lock to Stand Adapter, 65W USB-C PD Locking Power Adapter, AC Power Cable, and a Carrying Case. It is priced at $165 / €175.56. The 120c kit includes the Ace E-Lock to Light Stand Adapter, 150W DC Locking Power Adapter, AC Cable, Softbox, Diffuser, Light Control Grid, and Carrying Case. It is priced at $289 / €319.20.

For more information, please see the amaran website here.

Do you find yourself needing more portability or more output on set? What’s your go-to light for quick setups or run-and-gun filming? Let us know in the comments!

Founded approximately eight years ago by Jakob Ballinger and his team, Lightbridge emerged directly from practical on-set experience. Before becoming manufacturers, Ballinger worked as a gaffer alongside cinematographer Christian Berger, who sought to create more natural-looking light by developing precision reflectors. Their goal was to keep film sets clear while achieving natural lighting by positioning lights farther away and using reflectors closer to the subject.

The problem Lightbridge Touchproof solves

The original Lightbridge reflectors offered five precise levels of diffusion, from mirror-like reflection to super white, with minimal light loss (only 3%) and 100% color consistency. What began as tools for their own productions eventually evolved into products shared with the wider filmmaking community.

Despite their quality, the first-generation Lightbridge reflectors suffered from a persistent issue: fingerprints and small scratches that became permanent if not cleaned immediately. The acidity in skin oils would leave marks that, if left for three months or longer, could not be removed.

This posed a significant problem for rental houses and professionals who wanted their equipment to maintain its appearance. As Ballinger explained, “People weren’t treating it the same way that we do… the problem for rentals and for people owning the gear is they want to have the gear just the way it looked like new.”

Lightbridge Touchproof technology

After two years of development, Lightbridge has created a second-generation reflector with a new layering system and final protective sheet. The Lightbridge Touchproof technology allows fingerprints to be wiped off easily, even months after they’ve been made. The company tested the new surface with various substances, including saltwater and London rainwater, to ensure durability in different environments.

Importantly, Lightbridge confirms that the new Touchproof coating doesn’t affect the optical quality or light reflection properties. Side-by-side demonstrations show the Lightbridge Touchproof reflectors producing the same light quality as their predecessors.

Pricing and availability of Lightbridge Touchproof

Along with the new technology, Lightbridge is reducing prices by approximately 30% compared to their previous price list. This price reduction comes from changes in manufacturing processes and increased production volume.

The Lightbridge Touchproof reflectors are being released in batches starting now, with wider availability expected within four weeks. Given the company’s history of quick sell-outs, they recommend pre-ordering through dealers.

Custom Lightbridge reflector options

Despite moving toward larger-scale production, Lightbridge continues to offer custom solutions. In response to customer requests, they can produce round reflectors that create circular catch lights in subjects’ eyes, as well as star-shaped and oval reflectors for various specialized applications.

The new Lightbridge Touchproof technology represents Lightbridge’s continued evolution from a small operation that began with hand-applied stickers on reflectors to a manufacturer addressing the practical needs of film industry professionals.

What’s your take on Lightbridge’s new generation of “touch proof” reflectors? Have you worked with their products before, and what was your experience? Let us know in the comments below.

Godox is a Chinese lighting manufacturer that has been creating photo and video solutions since 1993. Initially focused on providing affordable studio lighting alternatives for photographers, Godox has since expanded their offerings to include more high-end solutions for filmmakers and content creators. Indeed, with products such as the Godox KNOWLED P1200R Hard PRO LED panel that we had a first look at, the company is not limiting itself to low/medium power lighting solutions.

This time, Godox is back with two compact 30W LED lights: the C30Bi and C30R.

Godox C30Bi and C30R – features

The Godox C30Bi and C30R are relatively compact LED fixtures, measuring only 13.31 x 7.8 x 2.59cm/ 5.2 x 3.1 x 1in and weighing 248g/0.54 lbs. These minimalist fixtures are easy to control with only two dials on the C30Bi – one for brightness and one for color temperature adjustment – and one color/brightness adjustment dial and a mode button on the C30R. To make things easier, the C30R has a small status display at the back of the unit.

As mentioned previously, the C30Bi is a bi-color model with a CCT range of 2,800 to 6,500K. The C30R is an RGB light that can go from 1,800 to 10,000K in CCT mode, but with the added benefit of an HSI color mode and 39 built-in lighting effects. Both fixtures have a CRI rating of 94 and a TLCI rating of 96.

According to Godox, the cooling fan at the back of the units automatically activates at higher temperatures and should be silent.

At the bottom of the units, you’ll find one 1/4″-20 mounting point and a USB-C charging port. The Godox C30Bi and C30R feature a built-in battery with a maximum runtime of around 45 minutes at full power. Lastly, the fixtures come with a removable diffusion dome and a charging cable.

Price and availability

The Godox C30Bi retails for $59, while the C30R RGB model is $89. Both models are available now.

For more information, please visit Godox’s website here.

What do you think about these two compact LED lights? Do you often carry a small LED light with you? Don’t hesitate to let us know in the comments down below!

Austrian lighting manufacturer Lightbridge has released the C-100 Grid System, allowing cinematographers to create expansive arrays of their CRLS (Cine Reflect Lighting System) reflectors. The system emerges from extended production testing by cinematographer Manuel Billeter, ASC, addressing the practical challenges of scaling indirect lighting for larger sets.

Production-tested development by Manuel Billeter, ASC

The CRLS platform, originally conceived by cinematographer Christian Berger, has gained traction in recent years as productions increasingly move away from traditional direct lighting approaches. The new Grid System extends the capabilities of the standard 100x100cm Precision Reflectors by introducing a modular mounting solution that interfaces with standard grip equipment.

Technical implementation of the Lightbridge C-100 Grid system

“I have been fascinated by the idea behind CRLS for over a decade now, and working with the system on set has only deepened my enthusiasm,” explains Billeter, who collaborated with Lightbridge throughout the development process. “The Grid System is versatile and provides for beautiful precision controlled soft lighting on a very large scale.”

The technical foundation of the system centers on purpose-built Grid Clamp Adapters. Each adapter combines a screw-on coupler baseplate with a dedicated truss clamp, designed to integrate seamlessly with industry-standard scaffolding tubes and grip hardware. The mounting system allows crews to construct various configurations, from simple linear arrangements to extensive rectangular arrays.

System configuration options

For basic setups, the system can create a 200x200cm/ 6.56×6.56ft reflective surface in “Quad mode” using four panels. More complex arrangements are possible through the modular design, with Lightbridge recommending three-point mounting for safety when working with crane-mounted configurations. This approach aims to provide rigidity while maintaining the quick deployment CRLS users have come to expect.

Reflector surface options

The system works with all five grades of CRLS Precision Reflectors, each offering distinct characteristics for different lighting scenarios. The range includes:

• Diff 0 Mirror: Maximum reflection for situations requiring intense indirect light
• Diff 1 Punch Black: Focused but slightly softened output
• Diff 2 Blue Sky: Balanced diffusion mimicking natural skylight
• Diff 3 Ambient Violet: Enhanced spread for broader coverage
• Diff 4 Super White: Maximum diffusion for ultra-soft light

Larger LED lights, bigger reflectors?

These aluminum-coated reflectors feature wrinkle-free surfaces that eliminate the need for additional diffusion frames or flags, a characteristic that has contributed to their adoption in high-end productions. The Grid System maintains this spill-free approach while allowing significantly larger coverage areas.

The release comes as the industry continues to evolve its approach to set lighting. While LED arrays have dominated recent lighting innovations, the CRLS Grid System suggests ongoing demand for refined indirect lighting tools. The system’s focus on modularity and integration with existing grip equipment can appeal to productions and rental houses already invested in the CRLS ecosystem.

C-100 Grid System – technical considerations

Notably absent from the announcement are specific details about weight limitations or wind resistance ratings – crucial information for grip departments planning overhead rigging. However, Lightbridge has launched a dedicated website offering technical documentation and tutorial content.

Founded by gaffer Jakob Ballinger, Lightbridge has maintained a steady pace of development in the indirect lighting space. Check out our other coverage of Lightbridge products in the past.

The company indicates that additional Grid System configurations are under development, suggesting potential expansion beyond the current 100cm/ 3.28ft form factor. For cinematographers already working with CRLS, the Grid System offers a standardized approach to scaling their existing lighting toolkit, which is particularly relevant for productions requiring extensive indirect lighting setups.

Have you worked with reflectors on your sets? What is your impression? Let us know in the comments below.

Founded in 2008 by cinematographer Stefan Karle, DoPchoice specializes in creating innovative light-shaping tools tailored for professional film crews. Headquartered in Munich, Germany, the company focuses on developing compact, lightweight, and user-friendly solutions that streamline lighting setups both on location and in studios. Their product lineup includes softboxes, grids, and now the Spill Killer, designed to give filmmakers more control over their lighting environments.

We recently covered the DoPchoice AIRGLOW FLOAT, an inflatable round toplight modifier that adds flexibility to on-set lighting setups (read more here). Now, the company is back with another innovative tool to improve lighting control.

Addressing light spill challenges

Light spill is a common issue on set, especially when working with large diffusion frames. Butterfly and frost frames often allow stray light to leak from the edges, creating unwanted shadows and reducing control over the lighting setup. Traditional solutions, such as using flags or makeshift fabric ties, can be cumbersome, time-consuming, and often fail to provide a seamless seal. The Spill Killer offers a fast, effective, and professional solution to this problem.

Key features

The Spill Killer features a reversible black-and-white design, allowing users to choose between blocking unwanted spill or softening light bounce. Its magnet-based attachment system ensures a secure, tool-free setup without the need for clamps, ties, or adhesives. When not in use, it folds down into a compact pouch, making it easy to transport and store.

• Available Sizes: 4x4ft/ 1.2m, 6x6ft/ 1.8m, 8x8ft/ 2.4m, and 12x12ft/ 3.65m, (20x20ft/ 6x6m version coming soon)
• Reversible Design
• Magnet-Based Attachment
• Compact Storage

Spill Killer – overview

The Spill Killer has two L-shaped covers that attach to a butterfly or frost frame. They seal the edges to prevent light leaks. This design removes shadows caused by fabric ties, bungee cords, or frame structures. It ensures a clean diffusion setup without distractions.

Each Spill Killer is reversible, with a black side to block light and a white side for softer light control. This flexibility helps gaffers and cinematographers quickly adjust their lighting setups for different scene requirements.

The attachment system features integrated magnets sewn into the fabric, ensuring a secure grip without damaging diffusion, bounce, or flag materials. Unlike traditional methods involving clamps or adhesive solutions, the Spill Killer attaches effortlessly and leaves no marks or residue.

For ease of transport and storage, the Spill Killer folds neatly into its included pouch, making it a practical addition to any lighting kit. Setup and removal take only moments, enhancing efficiency on fast-paced film sets.

Price and availability

For pricing and availability, check with authorized DoPchoice retailers or visit their website for more details.

Do you think this will solve your light spill issues? Let us know in the comments how you handle unwanted spill on set!

With IP65-rated durability, wide color temperature range, and high-speed flicker-free performance, they are designed to meet the demands of film, television, and commercial productions, whether on a controlled soundstage or in unpredictable outdoor environments.

Seems like you’ve seen these before, right? It’s not déjà vu. These are the updated PRO versions of the original Godox KNOWLED P600R & P1200R. We covered their launch last year. If you’re curious how they compare, check out the previous announcement.

We also brought you news of the P1200R Hard PRO from IBC 2024 back in September of last year. If you want a deeper dive, have a look at that article here.

High-output hard light

The KNOWLED P1200R Hard PRO is a 2×1 panel with 1300W of power, making it one of the brightest LED panels in Godox’s lineup. With its hard light output, it provides sharp, high-intensity illumination, useful for large-scale productions, high-key setups, and high-contrast cinematography.

Godox KNOWLED P1200R Hard PRO key features:

• Power Output: 1300W
• Color Temperature Range: 1800K to 10,000K
• Green-Magenta Adjustment: -100% to 100%
• Color Rendering Index (CRI): ≥96
• Television Lighting Consistency Index (TLCI): ≥98
• Dimming Range: 0% to 100%
• Dimming Curves: Linear, S-curve, Exponential, Logarithmic
• FX Modes: 14 built-in effects
• Control Methods: DMX512, RDM, LumenRadio CRMX, Bluetooth app, Onboard controls
• Weather Resistance: IP65-rated for dust and water protection
• USB-A Port: Firmware updates, 5V⎓1.5A power supply
• Operating Temperature Range: -20°C to 45°C
• Dimensions (without U-bracket): 29.25″ × 15.2″ × 6.54″
• Net Weight (without U-bracket): 22kg (~48.5 lbs)

The KNOWLED P600R Hard PRO is a 1×1 panel with 600W of power, offering a more compact form factor while still delivering substantial output. Its size and versatility make it a strong key or fill light for both studio work and location shoots.

Godox KNOWLED P600R Hard PRO key features:

• Power Output: 600W
• Color Temperature Range: 1800K to 10,000K
• Green-Magenta Adjustment: -100% to 100%
• Color Rendering Index (CRI): ≥96
• Television Lighting Consistency Index (TLCI): ≥96
• Dimming Range: 0% to 100%
• Dimming Curves: Linear, S-curve, Exponential, Logarithmic
• FX Modes: 14 built-in effects
• Control Methods: DMX512, RDM, LumenRadio CRMX, Bluetooth app, Onboard controls
• Weather Resistance: IP65-rated for dust and water protection
• USB-A Port: Firmware updates, 5V⎓1.5A power supply
• Operating Temperature Range: -20°C to 45°C
• Dimensions (including yoke): 496mm × 570mm × 119mm (~19.53″ × 22.44″ × 4.69″)

The KNOWLED P600R Hard PRO offers a more compact 1×1 form factor with 600W of power, making it versatile for both studio work and location shoots. Despite its smaller size, the P600R Hard PRO delivers impressive output, making it a strong key or fill light in different production setups.

Built to handle harsh environments

Filmmaking often means dealing with unpredictable conditions; not all lighting gear is designed to withstand the elements. The KNOWLED P1200R and P600R Hard PRO panels feature an IP65 rating, meaning they are fully protected from dust and water jets.

Rain on an outdoor set? No problem. Kicking up dust during a shoot? According to the company, these panels can handle it. Productions working in uncontrolled environments might not have to worry about their lights getting ruined by sudden weather changes.

This durability eliminates the need for makeshift protection measures like plastic bags, DIY covers, or last-minute tent setups—letting crews focus on the work rather than scrambling to shield their gear.

Full-color spectrum and high-precision color accuracy

Both models support a color temperature range from 1800K to 10,000K, making them adaptable to different lighting scenarios—from warm tungsten to cool daylight.

The CRI and TLCI ratings (96+ across the board) ensure that colors remain consistent and true-to-life, reducing post-production corrections. Adjustable green-magenta shift allows for fine-tuned control, making it easy to match other light sources on set.

Multiple control options

Godox includes multiple ways to control these lights, making them adaptable to different workflows:

• DMX512 & RDM Protocol – For integration with professional lighting consoles
• LumenRadio CRMX – Wireless DMX control, eliminating the need for additional transmitters
• Bluetooth App Control – Adjust settings remotely via the Godox Light app
• Onboard Controls – Intuitive physical controls for quick adjustments on the fly

Whether working with a large lighting team using DMX or a smaller crew making adjustments via mobile app, these options provide flexibility and ease of use.

Flicker-free performance for high-speed shoots

Shooting at high frame rates requires consistent, flicker-free lighting, which can be a challenge with some LED fixtures.

The KNOWLED P1200R Hard PRO features a high-speed mode, ensuring that output remains stable even at extreme frame rates. The P600R Hard PRO also provides flicker-free performance, making both lights reliable choices for slow-motion cinematography.

Practical applications

These lights can be used across a range of professional productions, including:

• Feature Films & Commercials: Hard, high-output light with full RGB control
• Outdoor Shoots: IP65 protection against rain, dust, and extreme conditions
• Studio Work: Precision color tuning and wireless control for seamless setups
• Virtual Production & LED Walls: High CRI and flicker-free performance

Their claimed combination of power and durability makes them enticing for any production environment where reliable, high-output lighting is a priority.

Both lights are available now through authorized retailers. The KNOWLED P1200R Hard PRO is available for $5,290, while the KNOWLED P600R Hard PRO comes in at $2,349 / €3,292.02.

For more information about the KNOWLED P1200R Hard PRO and P600R Hard PRO, visit the official Godox product page.

Would you use the Godox KNOWLED P1200R Hard PRO or P600R Hard PRO on your productions? What do you think of these lights? Leave a comment below!

CineD has been following DoPchoice products for a while, like the SNAPBAG AIRGLOW BOOKLIGHT, which launched in 2024 and won the CineD Best-of-Show Award for lighting at NAB that year, and in cooperation with Lightbridge SNAPBRIDGE, introduced in 2023 and later expanded with new sizes and fabrics. Now, they’ve added the AIRGLOW FLOAT to their lineup.

Inflatable setup with adjustable spill control

The AIRGLOW FLOAT comes in 4-ft, 8-ft, and 12-ft diameters. It uses two inflatable rings to support a cylindrical side cover, forming a contained softbox. A removable SNAPCLOTH diffusion reduces light intensity, while a reversible black-white skirt provides additional control. A three-point ceiling mount system should make overhead positioning easy.

Designed for use with LED panels and COB lights, the AIRGLOW FLOAT’s up-facing back wall adjusts to fit different light sources (for example, cylindrical tiles or tubes using hook and loop attachments) and can be partially opened or closed to control any top spill. Its height, adjustable from 150mm to 300mm by angling the rings, enables greater top-mounted diffusion.

Customizable with fabrics and effects

The AIRGLOW FLOAT offers flexible lighting configurations and can be set up for a booklight effect, for example, or a large bounce, depending on the setup. Different bounce fabrics, including Hard Silver and Muslin, offer varied light intensity and softness.

For an entirely different effect, lighting units (for example, cylindrical tiles or tubes using hook and loop attachments) can also be mounted inside – specifically, flexible LEDs such as LiteMat and LiteTile can be lined along the inner wall to direct soft, even light downward. Adjusting the rings into a wedge shape further refines the beam angle.

Flexibility and ease of use

The AIRGLOW FLOAT offers many possibilities with various lighting configurations. Plus, it inflates quickly and can be used for toplight, backlight, or bounce applications. Its tiltable depth adjustment should help ensure even light spread, and when deflated, it packs down small for easy transport—less of a hassle compared to traditional lighting modifiers.

Price and availability

For pricing and availability, check with authorized DoPchoice retailers or visit their website for more details.

Would you find an inflatable lighting modifier useful in your workflow, or do you prefer more traditional setups? What are your go-to solutions for controlling toplight in your shoots? Let us know in the comments!